this high quality project features music from cuban american performer & guitarist vivian garcia reworked by mathematics deviere. presented by label boss jamal moss this ep features 3 tracks with classic club vibes. think guidance quality with nervous records movements.

lobster theremin dig back down unda to bring another fresh salty aussie experience to the table with well seasoned young talent shedbug aka geordie elliot-kerr at the helm for this one. as co-head of salt mines he’s been responsible for some of the most exciting new underground electronic bizz coming out of aus - including hymns, rudolph c, escape artist and 92 spacedrum orchestra. as shedbug he makes entrancing house, acid-tinted techno, cosmic electro and heavily stepped uk-influenced jams, with 12” ep’s already landing via of paradise, deeptrax, flux and a cassette album for thrhndrdsvntnn. on destination love, shedbug harnesses the emotive, pad-heavy sound showcased on previous outings whilst mixing in blend of interstellar synths, jagged breaks and crusted-yet-cutting drum work - all mixed down with some serious studio finishing.

last summer during an evening spent with my friend dj topha, we came upon the everlasting subject of old versus new. i m finding so much great music right now, and not just digging back in time but exploring our own timeline geographically too, he said, the level of production these days is rising fast. you have to check out these snippets from a new label based in casablanca. not long after, in an interesting twist of fate, driss bennis and i began to exchange music: i shared his soundcloud for the first casa voyager release, and he sent me a promo copy which i played out a lot. it seemed only logical to ask him for music for basic moves. later that summer we met in paris for a convivial back to back at dawidu s shop, te iubesc records and sapology. it was as simple as that, and in a few weeks basic moves 04 was ready. night train and overseas blew me away by their quality - the tracks are retro-esque yet fresh, and stem from a loose approach to electro. their arrangements are very smart, not everything is revealed the first time round. the more you listen, the more you understand that the power of the tracks lies in the details. together with ailsa s artwork, stefan s cut and chris mixes the release fell so smoothly into place. i have come to realise how important it is for the scene to release recently produced music as well as treasures from the past. you can t build a community by only playing old records. it s about a combination, about finding gems that glide together. old and new. and for that, i think both these dj booth tracks really fit the bill.

2018 will see the ever-influential acid jazz records celebrate thirty years at the forefront of the uk soul jazz scene. with co- founder eddie piller still at the helm the label continues to stride forwards both with new artists whilst also uncovering old classics. following the recent and definitive career spanning compilation anthology: 1972 -1984, acid jazz are pleased to announce details of two further leroy hutson albums, the reputation enhancing hutson and hutson ii will be available for the first time in over twenty years on vinyl.

a deluxe double lp version of curtis mayfield’s 1972 soundtrack masterpiece.

staub comes back on wax for a third episode. following the no name policy from the parties which started 5 years ago in ://about blank, it is time again for unknown artist to shine. this new ep sees the shy producer appearing on 4 tracks of pristine techno. a1 is an atmospheric trip while a2 is more brutal, on the b side it is going weirder and darker. we think unknown artist tries to craft interesting techno cuts and that he loves variety. that it is the idea behind staub since its beginnings, it does not matter whether you are a newcomer or lady gaga, what matters is the quality of the music. this is what was again aimed with this third record.

more quality from kenny dope, here in his soul fuzion guise. >i got rhythm< leads with the kickdrum (think >iko iko< given a house touch) and then a soulful vocal from vee drifts over the top, while lush chords and a subtle bassline complete this late night groover. on the flip, the >ritual mix< fattens out the bass and kickdrum, and lets the vocal drift more into the back ground, letting newly added percussion come more into play on a slightly tougher take than the original.

tel aviv based two man project tv.out has been making a name for themselves these last years putting on impressive live sets, djing around the world, and running their paralaxx imprint releasing various strains of rugged, well informed electronic music. . on their debut for l.i.e.s. we get a smoking three tracker spanning styles that would not seem out of the place being played on the west coast of den hague in the late-90s. think early legowelt meets coca disco meeting heavier techno sounds as a starting point. club gear for the gearheads.

tafter several successful releases on his own valby rotary label, louf joins tyr for our third release with the from a distance ep. combining elements from across the electronic spectrum this ep has something for everyone, from the warehouse feel of midi love to the bucolic quits, louf showcases his talent to weave deep, body moving bass and beats with playful, reminiscent melodies. when this dropped in our demo box we knew we had something special and think you’ll agree.

2018 repress incoming!
skeptical lands his first release since the massive >marka< which rounded off a great year for this talented d&b producer. here he joins mc fokus who on the aa side >the truth< lends his superb vocals however on the a side >fluctuate< he gets down to joint production duties with skeptical to knock up a huge weighty techno inspired roll-out. quite simply we think this is a great release from 2 names to watch throughout 2012 and we hope you agree!
dj support on this relaase from: ant tc1, dj hype, spectrasoul, yongsta, d-bridge, kasra, doc scott, xtrah, marky, spinline, foreign concept, vicious circle, mindscape, artificial intelligence, laurent garnier, amoss, loxy, blu-mar-ten, survival, ebk, cern, octane & dlr, safire, nymfo, subterra, hydro & chris su.

lost loops & broken tapes vol.2 treads the lines between smudged-up disco, raw house and french-touch. dont think about that too much, just let the music work its magic. j&ag join the likes of adesse versions, project pablo and seb wildblood on let’s play house, the ever-dynamic new york label operated by nik mercer and jacques renault. latest feedback attached,will keep you updated as more comes in.horse meat disco, danny tenaglia, tensnake, dam swindle, altern-8, loco dice, ossie, crazy p, jimpster, josh wink

frag maddin s wizard like studio techniques don t need no black magic - just solid ingredients, being boiled in his studio cauldron. in the process, the old becomes the new again. this time, in its most musical form for kakudo records yet. his ep is a magical kaleidoscope of sounds and feelings that work their charms on our souls, brains and hips. think chicago, think nyc s kinky trax of the early 90ies, think silly amounts of bass and think flourishingly funked out synths making for an individual musical language with maddin. timeless sounds! point 0 is now, these ones will last!

continuing its cosmic techno research path, subosc is happy to present the latest work from hydergine. known for his deep and dub influenced techno releases on labels such as phorma, modelisme, knotweed and ranges, he delivers two ambient influenced techno tracks with a mental and dancefloor attitude. driving grooves, pulsating synths and melancholic melodies are the main elements of the original tracks, which journey narrates about cosmic energies, self healing and mental stimulation.
the “omega point” is, at fact, a spiritual belief and a scientific speculation that everything in the universe is fated to spiral towards a final point of divine unification. “light from light” puts emphasis on the eternal and bright light of wisdom, which allows to think and act using knowledge, experience, understanding, common sense, and insight. wisdom leads a person to overcome feelings of helplessness, powerlessness, anger or aggression by non-understanding of external elements and internal acknowledgement. the ep includes two immersive, dreamy, enlightening and spaced-out electro infused versions by artefakt (delsin / field records) and 2030 (construct re-form / clft).
already supported by svreca, etapp kyle, abstract division, quail, leghau, kessell, alfredo mazzilli, nihad tule, roberto clementi, shaded explorer, distant echoes, unbalance…

the housemartins’ debut album from 1986 back on vinyl.

uun returns to his imprint ego death with an ep that showcases his progression in both sound design and atmosphere. the a side kicks things off with on the concept of irony, a broken beat assault which serves as a mission statement with its scattered snares and vocal samples. the tangled web continues this mood but with a more intense structure, heavy on hypnotic synths that weave in and out of the tracks percussive framework. where as the a side is the logical extension of the first three ego death releases, the b side serves to showcase a deeper atmosphere while maintaining uuns preference for dense arrangements. the other features a haunting ethereal pad that floats above a broken kick pattern and a bed of clicks, pops, and field recordings. the closing track, absurd existence, forges all the elements of the artist s sound into perhaps his most melodic work to date. it is therefore senseless to think of complaining since nothing foreign has decided what we feel, what we live, or what we are. jean-paul sartre

andy vaz returns on chiwax with -zwei im tee- ep. it s almost the 3rd release for the yore mastermind. for us the best release from andy so far & we think not the end of the story

deep dreamy and melancholic techno tracks by tserg, 25-year-old producer from, singapore. written over a period of 4 months, forgotten times is about the dreams we once had and forgot, the present moments that we forget to cherish and the ideals we used to believe and fight for but no longer do so. the intro is a hopeful track for the time when we started to dream. by the time we reach the outro, these memories have become fragmented and we struggle to even remember them. thankfully, time travel has always been possible in our minds when we think about the past or future. this transmat like production by tserg brings us from the future to the past in forgotten times but the listener is free to travel in whichever direction they want. limited to 150 copies.

shir khan welcomes zoo brazil to his infamous black jukebox disco house series. lately, the swedish producer released tracks on hot since 82 s knee deep in sound, nic fanciullis saved records and with more music to come on sasha s last night on earth and joris voorn s green label. for black jukebox john went all disco - think something like soundstream on ecstasy - hyperactive loops & grooves. pure locked in dancefloor moments !

physical therapy for exotic dance with this first volume of shamanic workout material made between 2014 and 2017. these are deliriously entrancing and exquisitely produced tracks, expertly engineered to keep the floor moving

pal is a series of compilations by pear, showcasing all the various iterations&#8203,, of that sound they know and love. for the first volume, they&#8203,, have&#8203,, cast their net far and&#8203,, wide &&#8203,, think you should find something&#8203,, to enjoy amidst it all.

the 1973 rock classic back on vinyl, remastered under lou’s direct personal supervision.

nice price deal !!! single life. the a side is urgent, angry and slamming. djs with kahunas will be playing these. just let doesnt feel right ride. it murders 2nd try is straight up industrial bananas, cant wait to see what happens when this is played out. the b side is full of sadness, longing and regret. single life is the artists favourite cut of the ep and i think you should know that. still waters is probably what it feels like to feel like shit and dive into a deep reservoir in the middle of the night somewhere remote where you could just drown and die without anybody around to help you.

kamoda’s latest offering, ‘the distorted haunted ballroom ep’ offers three fresh tracks from the colourful artist - body & soul, ( ( (bye) ) ) and dopey forests - a tripped out, twisted journey.
a man of many talents, jun has produced art under his illreme moniker, as member of hip hop trio, baleine 3000, and as cartoon illustrator (usca.) his forays into music have lead to work with revered global labels, think mister saturday night, black acre, mall grab’s steel city dance discs and more.
opener and lead track, body & soul is a raucous jam. killer, frenzied percussion, short riffs and vibrant erratic trumpets fuse industrial elements with far-flung balearia, teasing between warehouse rave and rainforest ravine.
second track ( ( (bye) ) ) is a hazy, hypnotic cut, body & soul’s wild elements rolling into a tug of war between arcadian bleeps and lawless euphoria.
dopey forests offers up a less frantic but still slamming dance floor ready slice of dreamlike vocals paired with driving percussion. a mesmerising, final jaunt to round out ‘the distorted haunted ballroom ep’ with an ethereal, spooky stomp.

bcee & villem’s vanguard project returns for it’s fifth instalment in the series.
u mk me feel has been getting a hammering from dj’s from etherwood to friction and encompasses that classic ravey feel that the vanguard project do so well.
think about rolls out effortlessly with classic rolling vibes that just ooze class.
flipping the script, the vanguard project showcase just how versatile they can be with ‘fused’. probably the heaviest track they have unleashed to date, this is a bass heavy peak time beast of a track.
rounding things off, spearhead resident mc tempza steps up on vocal duties for recharge.
support from friction, high contrast, ltj bukem, fabio, london elektricity, rockwell, etherwood, technimatic and a whole load more...

deep and tripping stuff from argentine producer, ana helder.. the label say: ana helder, the argentinian girl with the special twist, is back with a hand full of tracks. they are mean, dirty, harmful, amorevolous, seductive and addictive. surrender tunes from a producer and dj that does not think in boxes. for müstique she looked into her always-growing production crate and found some post-punk waving funk odes, which want more than just to dance this mess around. they bring soulful lsd-melodies for jazz lovers with techno legs that like to get high on liquid liquid. they are electronic but yet so organic. and they move deeply while spreading the feel of a meditative rest. when diagnose heard them first, he came to the idea of writing a script for a flick that tells the story of a music-making machine, which has more to offer than answers. it forms sound with no traces of reality, but is so human that humans fear it. why did he think that way? only because of what ana helder recently got to say? well, let the music play

kidnap kid’s birds that fly label got off to a flying start with his ow&#8203,,,,,,n release,‘ moments’ feat leo stannard picking up over two million plays and shaking up the spotify / hype machine charts. next up on the imprint is rising uk star apple&#8203,,,,,,bottom with &#8203,,,,,,‘the ride’ ep, an artist that draws many parallels to kidnap kid’s own early career as he barely has made his way out of his teens but already caught the ear of some of the most sought-after labels and radio establishment. annie mac can’t get enough of him and his releases on kerri chandler’s madtech, zed bias’ biasonic and uk powerhouse black butter records have coined him one of the future figureheads of dance music. applebottom has come to be considered a beatmaker able to transverse genres with that rarest of production talents: the consistent ability to make a straight-up club banger, which makes him the perfect follow up for birds that fly. “‘theride’ was quite a diff&#8203,,,,,,erent piece of music for me, ’he explained of the track, ‘i had been thinking about where i d want to release it and i was pretty stuck. but shortly after i d finished it kidnap kid’s first ep on birds that fly came out, and straight away i felt a connection with the sound and a lot of the music i’ve been making recently. it already feels like it has a clear and distinctive sound forming and i can t wait for my music to be part of that.” applebottom hails from the musical mecca of bristol but shares a pioneering view of its style and output. “&#8203,,,,,,i think a lot of people have just gotten too comfortable making the same sounding dance music - and for me that kind of defeats the point, there’s so much variety in it. i feel that particularly for my generation anyway, we’re a lot younger as producers and it’s kind of our job to be that next generation that produces that next sound. we should be striving to make something new and different and build our own vision of what it should be.

electro acid modular gangbang for machines and vinyl addicted feat. perseus traxx

on their debut album, celephaïs takes the listener on a trip into the distant lands of the mind. the album contains six long tracks, each of which tell a different story. think of opium induced daydreaming, celephaïs is here to hold hands so you feel safe enough to delve deeper into dissociation. the presented advanced synthesizer works display earthly undertones of dirt, hypnotizing noises, drumming sounds of distant rituals as well as ringing crystals. comes with a special artwork as insert.
written and produced by ian martin and jeroen holthuis.

the 1974 live album from bob dylan & the band back on 180 gram double vinyl. housed in a gatefold sleeve with download code included.

new york city based further reductions is the live project from husband and wife shawn (aka vapauteen, 400ppm, let er est) and katie o sullivan (aka rose e kross, ppg). back in 2014 they released their gorgeous debut album on cititrax records. the album was an adventurous trip, where they pushed forward a unique sound. after all those years there will be a follow up to this ep on knekelhuis. expect a fusion of different sounds, grimy and pretty at the same time.

the pieces were created as structured improvisations using a monophonic synth (primarily) along with a yamaha dx7 (borrowed from a friend) and possibly a guitar. recording was made on an older otari mx5050 1/2 8 track. mixing was done on a tascam m-50 console and a revox a77 1/4 machine. i recall the project happened in two bursts: i did half of it in september 85, then i finished up and edited the album together in december 85. i dont really recall making copies for anyone. i think i played it for a dozen people and that was it. just forgot about it. i remember jeff ament from pearl jam (green river back then) came by while i had it playing on my home stereo. he asked what it was and said he liked it. surprised me a little. with regard to overall aesthetic: i like the sound of machinery, but i enjoy the fragility of human error and human instinct. i like to put things into motion then climb aboard and drive. i can’t play an instrument (in the classical sense) for the life of me, so i’ve always just played things that are mostly choice rather than a convolution of style and technique. i guess you call that the brian eno school of rock.

die 80s pop annual edition beinhaltet die wichtigsten titel der 80er jahre auf 180 gramm vinyl. bei 30 der besten songs des jahrzehnts sind künstler und hits wie wake me up before you go-go (wham!) / footloose (kenny loggins) / kids in america (kim wilde) / girls just want to have fun (cyndi lauper ) / heaven is a place on earth (belinda carlisle ) und viele weitere vertreten. diese zusammenstellung ist exklusiv nur als vinyl-edition erhältlich.

having crept out of the tape undergrowth and respected haunts like clan destine and always human to earn more civilized recognition on bank records nyc and bliq, strahinja arbutina makes the move to vivod for yet more of that edgy, leftfield techno business that keeps mothers awake at night from worry. the grit, noise and distortion has been faithfully carried through from the cassette-based roots of arbutinas sound, but these tracks are more than ready to do the damage in the dance (where you re less likely to find a tape deck). hold on tight as the likes of way ahead give the sound engineer a fright when they think the system has overloaded.

arthur miles is next up on seb wildblood s new imprint all my thoughts with 4 cuts of deep electronica.

nice price deal !!! indigenous electronic s is a recently launched vinyl only label, seeking to showcase a combination of both known and undiscovered talent. the label s first release is a 4 track ep, by siamak amidi, the creative director of analog room in dubai, as well as a producer, dj and volt music label boss. the ep showcases amidi s experience with the confluence of both analog and digital synthesis. the a side presenting newer material with the b side some of his older unreleased works. -unconditional love- a stripped down affair, deep, dynamic and ethereal without ever losing the focus on the groove with it s tight production. -retro floor vison aspect- takes us further into trippier post 5am territory, also stripped yet with enough going on to keep the senses tantalized, the standout hook to the bassline, swirling micro electronics with a variated jacking high hat, tried and tested. siamak s -tool- is a deep techy driving affair, with light haunting pads above and throughout track with original use of effects on the high end percussion. -you think you know it- is a rolling percussive track that comfortably rides the boundary between house and techno, with well defined low end and sweeping synth pads that once again show s amidi s abilities in the mix down to not swamp the track or dilute the groove. an ep for the dj s dj.

ltd hi quality disco edits

the ultimate collection of elton john’s greatest hites - newly remastered and pressed on 180 gram double vinyl. housed in a gatefold sleeve

e.d.c wishes to explore electronic music through different universes where spaces, noises and textures are central to the creative process. his researches aim to experiment and think outside the box, allowing us to navigate through purposely-colored music and other worlds where every detail counts.
in this first release, the reverberations in each track create a shaking outcome that warns about the upcoming epic adventure with the wind of indestructibility that the tracks blow in our direction.

you probably don t know this disco banger, i think there is about 4 or 5 known copies on 7inch, everyone who has a copy has been keeping it quiet. i first heard it from david haffner about 4 years ago and had been after it since then. after a lot of research i came to the conclusion the everyone involved had passed away, but months after giving up after i spotted benitas full name on another related lp credited as a backing singer. i was then able to track down benita who was alive, well and surprised and very happy to hear from me. this one is a beast and will fly out (i find myself saying this far to often).

»a brand new me: aretha franklin with the royal philharmonic orchestra« verbindet ihre legendäre stimme aus den berühmtesten songs, die die »queen of soul« für atlantic records aufnahm, mit brandneuen arrangements, die vom royal philharmonic orchestra eingespielt wurden. aretha franklins unverwechselbare stimme wurde mit diesen neuen orchester-arrangements auf »a brand new me« wunderbar verschmolzen. die ebenfalls neu arrangierten und aufgenommenen backing-vocals stammen von grammy-gewinnerin patti austin, the royal philharmonic orchestra nahm seine parts in den londoner abbey road-studios auf.
das ergebnis dieser außergewöhnlichen bearbeitung besteht in einem zeitlosen album, das den soul, den groove und die gospelpower von franklins weltweit verehrter stimme erhält und einmal mehr in einem neuen kontext herausstellt. unter den highlights befinden sich neu imaginierte versionen von klassikern wie den zeitlosen billboard-no.1-hits »respect«, »think«, »don’t play that song (you lied)« und »angel«.
das album wurde von nick patrick und don reedman produziert, die auch für den weltweiten erfolg des albums »if i can dream: elvis presley with the royal philharmonic orchestra« verantwortlich sind, das vor kurzem in vielen ländern die charts toppte und mehr als 1.5 millionen exemplare verkaufte.

acid jazz are pleased to announce details of the definitive leroy hutson compilation – anthology: 1972-1984.
a legend to soul fans, his catalogue has been increasingly sought after by collectors and producers since the last time it was widely available nearly 20 years ago.
college friends and early collaborator with donny hathaway then hand-picked as curtis mayfield’s replacement in the impressions, his solo career resulted in 7 albums for mayfield’s curtom label. they are considered some of the greatest of the era and the very best music from them is collected here.
licensed from mr hutson himself, this represents his first approved anthology, and comes in a beautiful package with an essay by soul expert and mojo award winning writer tony rounce and memorabilia and photos from mr. hutson’s own personal archive.
the first single lifted to preview the album – the previously unreleased positive forces has been championed at 6 music by gilles peterson who described it as one of the most important discoveries of the past ten years.

special edition with bonus 7 inch - limited to 300 copies.
it’s already been 5 years since the last zombie zombie album rituels d’un nouveau monde, after which the group explored other territories by signing 2 film scores, namely loubia hamra by narimane mari and irréprochable by sébastien marnier, as well as creating the music accompanying a contemporary circus show called slow futur created by martin palisse and elsa guérin. wouldn’t these beautiful parentheses make you want to return to the sources? after 10 years at versatile records, 2017 also marks the decade anniversary of the release of their first album a land for renegades in 2007, at the time considered to be one of the 10 best albums of the year according to rough trade. livity - zombie zombie’s latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist philippe druillet, who is also the founder of the cult métal hurlant comic series. the title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at the famous island records compass point studio in the bahamas.

it’s already been 5 years since the last zombie zombie album rituels d’un nouveau monde, after which the group explored other territories by signing 2 film scores, namely loubia hamra by narimane mari and irréprochable by sébastien marnier, as well as creating the music accompanying a contemporary circus show called slow futur created by martin palisse and elsa guérin. wouldn’t these beautiful parentheses make you want to return to the sources? after 10 years at versatile records, 2017 also marks the decade anniversary of the release of their first album a land for renegades in 2007, at the time considered to be one of the 10 best albums of the year according to rough trade. livity - zombie zombie’s latest opus seems to plunge us deep into science fiction, with a cover designed by the mythic cartoonist philippe druillet, who is also the founder of the cult métal hurlant comic series. the title of the album is somewhat misleading, as one could mistakenly think of a certain dub record made at the famous island records compass point studio in the bahamas.

-fee fire- ist der neue film von ben wheatley (-high rise-, -sightseers-, -kill list-, -down terrrace-) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausführendem produzenten. der titel bezieht sich auf den epischen shoot-o

den sinn des lebens haben schon viele gesucht, meistens vergebens. eine, die ihn gefunden hat, ist popikone kelly clarkson – zumindest, wenn man dem titel ihres neuen albums glauben schenkt: hier ist »meaning of life«.
damit stellt die us-amerikanische sängerin 2017 ihr mittlerweile achtes studiowerk vor, den mit spannung erwarteten nachfolger ihres nummer-eins-albums »piece by piece« aus 2015. gleichzeitig ist es ihr debüt beim r’n’b- und soullabel atlantic records.
dass »meaning of life« perfekt in den katalog der plattenfirma passt, bewies clarkson bereits anfang september mit ihrer sinnlichen und gleichzeitig groovigen ersten single »love so soft«.
für ihr neues album hat sich die sängerin diesmal gleich ein ganzes team hochkarätiger songwriter ins boot holte. dazu gehören unter anderem ihre langjährigen musikalischen partner jason halbert und jesse shatkin sowie starproduzent greg kurstin, der bereits für künstler wie adele, sia, p!nk und die foo fighters arbeitete.

2016 has been a good year for re-editor evil smarty and here pops up on tonbe s disco fruit imprint for the first time on vinyl. this is is a low-slung disco shuffler turned into a toughened-up house roller. if it feels good sees him in a celebratory mood (think sing-along disco funk with swinging new locked-in drums). feel the fire is a superb re-cut of the osmonds i,i,i that benefits greatly from some fresh new acid lines and the get down, a killer, 98 bpm funk revision that makes great use of the source material s urgent, impassioned vocal, bluesy guitars and wild synthesizers